Vision and curiosity drive Amanda Ekery’s expression. [She] braids together musical styles, and draws inspiration from a range of sounds as well as historical research. Her music invites inquiry.”

-Stephanie Jones, Hot House Magazine

ABOUT

Vocalist, multi-instrumentalist and composer Amanda Ekery collaborates with everyone, literally. Historians, artists, engineers, bakers, you name it. Amanda works with all to create projects that invite others to explore and share their stories. She weaves her experience in improvisatory creative music, research, and jazz into her compositions, workshops, and performances.  

Amanda composes music filled with imagery and strong narratives. Her work has earned support from The Jerome Foundation, National Performance Network, New Music USA, has been featured at the Portland Jazz Festival, Panama Jazz Festival, and the Kennedy Center, and spans Off-Broadway theater, film, and multiple critically acclaimed studio recordings. Árabe is Amanda’s latest release about Syrian and Mexican shared history and culture on the El Paso border. The album features 12 original songs and accompanying essays with the stories and history behind each track covering everything from food, gambling, and evil eyes, to immigration law, biracial identity, and the fraught relationship between immigrant entrepreneurship and workers’ rights.

Other recent work includes Amanda’s album “Keys With No Purpose,” written as a reaction to the sexist culture women continue to face in jazz, and “Some Short Songs” / “Some (more) Short Songs” which are part of Amanda’s ongoing song cycle that features the whimsical nature of her writing.

Amanda is a dedicated teaching artist and avid researcher. She is the founder of El Paso Jazz Girls, a non-profit organization for young female musicians that serves as a direct, practical intervention for gender equity in her hometown jazz community and which earned Amanda the Jazz Hero Award from the Jazz Journalist Association. Her most recent research “Exclusion and Pushout: Females in Jazz Education” has also informed her teaching practice and El Paso Jazz Girls’ curriculum. Amanda has been invited to present her research at the International Women in Music Leadership Conference in London, the Washington Women in Jazz Festival, and the International Jazz Voice Conference in Helsinki, Finland.

Amanda holds a Master of Music in Jazz Performance from the New England Conservatory and a Bachelor of Music in Jazz Studies from the University of North Texas. She is on faculty at The New School and Fordham University, and a regular at her local public library.

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PRESS

“Vision and curiosity drive Amanda Ekery’s expression. The singer, composer and lyricist braids together musical styles, and draws inspiration from a range of sounds as well as historical research. Her music invites inquiry. Short lyrical phrases and long arcs of development become vessels for self-disclosure and a sharp, penetrating sense of humor.” Stephanie Jones, Hot House Jazz Magazine

Amanda Ekery is a quiet warrior in the world of jazz. She works tirelessly on her craft as a vocalist and multi-instrumentalist, but beyond her own music brings people together by amplifying their personal voices. She has provided opportunities to those committed to the growth, evolution and advancement of gender equality within jazz’s national and international communities.” Jordannah Elizabeth, Jazz Journalist Association

“She utilizes a stunning head voice which is incredible; and unlike so many others, it’s not used to show off and is crystal clear. Even more impressive is her writing with a penchant for fresh harmonies, form, and a talent for communication with her quartet which at times is tightly controlled but allows all the chance to lead their own sounds.” Ran Blake, MacArthur Fellow

“Ekery’s ethereal scatting floats above piano tremelo within her impressive compositions, as on “Skeleton Key,” where the interplay between Ekery and her ensemble segues...The bandleader’s melodious earworm “I Don’t Know,” displays her natural inclination for inventive compositional moves and popular genres.” Kerilie McDowall, Downbeat

“Ekery opens doors for the listener being both a teacher and leader on these songs and she proves to be wonderful at both. Highly recommend. Ekery shows off her vocals that are sharp as a tack. They become an instrument in and of themselves...and really lets the listeners know that they are in the hands of a highly trained master.” Jamie Robash, Pitch Perfect

“El Paso native Amanda Ekery is out to close the gap with El Paso Jazz Girls. She launched the program to bring together young females musicians to play music and learn about jazz – and to work toward greater equity on the jazz stage.” Cindy Graff Cohen, El Paso Inc

WRITINGS

Árabe Sneak Peeks, Arab American National Museum: Hello, What Do You Get?, To Give, Lucky, Food Farewell

I Do Invite You - Imagining New Artistic Worlds Through Science Fiction: The Turnaround Magazine Issue 2

Arranging for the Solo Jazz Vocalist: A Workbook That Isn’t Boring

Toppling Systemic Exclusion, The Routledge Companion to Women and Music Leadership

El Paso Jazz Girls, Jazz Education Network

Syrian Female Musicians: The Last One Hundred Years

Female Bandleaders: Stories of Perseverance, Discrimination and Grit

RESIDENCIES/AWARDS

Jerome Hill Artist Fellowship, 2023 - 2025

ASCAP Herb Alpert Young Jazz Composer’s Award, 2024

ASCAP Phoebe Jacobs Prize, 2024

University of Houston’s Cynthia Woods Mitchell Center for the Arts, Artist in Residence 2024

The Woodshed Network Residency with Dee Dee Bridgewater, 2023

Jazz Hero Award Jazz Journalist Association, 2022

Arab American National Museum Artist in Residence, 2022

BMI/Lehman Engel Musical Theatre Workshop, Composer 2022 - present

Inaugural Chamber Music America Performance Plus Award, 2019

St. Botolph Club Foundation Emerging Artist Award, 2018

Betty Carter Jazz Ahead Residency at The Kennedy Center, 2015

Amanda smiling, looking into a fish eye camera lens, wearing a black long sleeve shirt.

CONNECT

aekerymusic @ gmail.com

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